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Step down from the TZ15 to the TZ11 and you lose one megapixel (now 8.1) and digital red-eye correction. You still get a 28mm wide-angle lens, 10x optical zoom and optical image stabilisation though.
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Panasonic's Lumix DMC-F12 is a 7-megapixel compact with dual image stabilisation.
Aimed at travellers, the Panasonic Lumix DMC-TZ3 features a 22mm wide angle lens and image stabilisation as well as special travel features including a travel date stamp for recording date stamps in different time zones.
We've just got our hands on the 10-megapixel Panasonic Lumix DMC-FS5. Panasonic has rocked our world since the TZ3, and this latest arrival from PMA is shaping up to be just as popular.
Though it leaves out one fun, little shooting mode, the Panasonic DMC-TZ3 improves upon its predecessor in nearly every way.
In this season of offerings, we've noticed two growing trends among manufacturers: touchscreen-enabled or ultra-high resolution point-and-shoots. But Olympus' latest darling in its Mju family, the Mju 1060 has neither. So does this new shooter have what it takes to pit itself against other more sophisticated compacts?
It is easy to like the FE-320 for its stylish looks and feature-rich specifications. But what we like to applaud Olympus for is in making things work.
It has been about two years since Panasonic's last LX-series camera, the DMC-LX2, was launched. One of the most interesting things about that model was its 16:9 aspect ratio sensor and a good range of manual controls not usually found in digital compact cameras. We spent a day with the upcoming successor to the LX2, the DMC-LX3. Here's what we found out.
The Canon EOS 1000D is a good entry-level dSLR, but only its photo quality stands out among the competition.
Looking to lure existing Nikonistas, dSLR virgins and the Canon convertee, Nikon has announced the D90, the first digital SLR to feature video recording.
Posted in Forums > Digital Cameras
By Zennith Geisler
Posted in Forums > Digital Cameras
By guru1211
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