Sony Cyber Shot DSC-R1

By Lisa Gidley, CNET.co.uk on 27 October 2005

If you don't anticipate a need for multiple lenses -- which many users won't, given the crisp 24mm-to-120mm-equivalent lens with a maximum aperture of f/2.8 -- the Sony Cyber-shot DSC-R1 makes a worthy competitor to the dSLRs in its price range. It's a handy, versatile camera with excellent image quality.

User rating:9.2
  • Good: Excellent image quality • An impressively flexible LCD screen that's viewable from many angles • A sharp Zeiss lens • Effective white-balancing features • A wide range of ISO sensitivity • Quick performance
  • Bad: With most heavy components on the left side, the chunky body is somewhat off-balance • Can't shoot raw in burst mode • The in-camera review function magnifies to only 5x
  • Specs: Digital compact • 10 megapixels • 2 inch • 5 x • See more specifications
  • RRP: AU$1,799.00

Sony's Cyber-shot DSC-R1 represents an intriguing bridge between the world of user-friendly all-in-one prosumer cameras and the more complicated world of high-quality digital SLRs. It has an easily rotated LCD screen, plenty of manual bells and whistles, a sharp and versatile Carl Zeiss lens, and a 10-megapixel CMOS sensor nearly as large as those found in typical dSLRs.

The resulting images are impressive, and the Sony Cyber-shot DSC-R1 is relatively easy to operate once you've navigated through the slightly awkward interface a few times. It can take a while to sort through the features spread out among more than a dozen buttons and dials, but even relative newcomers to digital photography should be able to take decent photos right out of the box.

Design
The Sony Cyber-shot DSC-R1 is a hulk among all-in-one prosumer cameras: with a weight of 929g, it's the heaviest we've seen, and its 139-by-98-by-156mm dimensions mean you can forget about stuffing it in your pocket. Due to its large zoom lens, the camera body is heavily weighted toward its left side, but the right-hand grip is sturdy enough to allow for an easy one-handed hold.

The DSC-R1 has a somewhat unusual design. For instance, you pull up and swivel the 51mm (2-inch) LCD screen mounted on top. This allows you to view the screen from almost any angle -- you can even hold it near your waist and shoot from the hip like a medium-format photographer. The drawback is that you have to take the time to adjust the screen each time you use the camera, unless you choose not to fold it down when you switch it off.

 
Because of the top-mounted LCD, the DSC-R1's back has more space than a typical digital camera. Buttons, dials, other controls and even a small joystick occupy the back and left-hand sides, with a few functions on the grip.

The DSC-R1 can be boggling at first grasp. But as you handle it more, a sort of logic comes through -- the features you'll use most frequently are easy to manipulate while you're looking through the viewfinder or at the LCD. A few other functions -- bracketing, contrast, the self-timer and playback magnification -- are more awkwardly located under the protruding viewfinder, but you're unlikely to adjust them with every shot.

Features
The Sony Cyber-shot DSC-R1 offers a broad range of automatic and manual features, but its highlights are the wide-angle zoom lens, which runs from 24mm to 120mm (35mm equivalent), and the large, almost APS-size 10-megapixel CMOS sensor. Macro photographers will be disappointed by the camera's inability to focus closer than 350mm, however, and the lens isn't very fast -- its maximum aperture lies in the fairly ho-hum f/2.8-to-f/4.8 range. It has a manual focus ring, which triggers a zoomed view of your subject for more precision, as well as a manual zoom ring.

The camera also supplies a useful range of colour modes. Like portrait film, the standard (sRGB) mode provides relatively natural and true-to-life colours; it's best for realistic skin tones. The Vivid mode performs more like highly saturated slide film, with an emphasis on reds, blues and greens -- it's best for landscapes and botanical photography. Finally, there's Adobe RGB, which has the widest colour range and is ideal for images you intend to adjust further in programs such as Photoshop. In addition to using white-balance presets for bright sun, clouds, incandescent lights, fluorescent lamps and flash, you can adjust the white balance by up to 3 steps.

Sony has borrowed the Zebra Stripes feature from camcorders. It provides an alternative to a histogram, alerting you to blown-out highlights by filling them with animated stripes; you can then choose to reduce the contrast or darken the exposure.

Other specs include the following: an ISO range from 160 to 3,200; a TTL five-point autofocus with spot, centre-weighted and pattern metering; raw file capture; shutter speeds ranging from a three-minute bulb to 1/2,000 second; exposure bracketing in 0.3-, 0.7-, or 1.3-step increments up to plus or minus two stops; histogram views; a hotshoe for an external flash; and in-camera adjustments to saturation, contrast and sharpness.

The DSC-R1 takes both Memory Stick Pro and CompactFlash Type I/II storage cards. It uses Sony's InfoLithium battery, which recharges in the camera. The DSC-R1 connects to your computer via USB 2.0 and can display your images on a TV via a video-output connection.

Performance
Compared with other high-end prosumer cameras and entry-level dSLRs, the Sony Cyber-shot DSC-R1 performs respectably but not outstandingly. Start-up time is 1.3 seconds, and shot-to-shot time for a small JPEG is less than a second. Shooting in raw format, it takes 1.9 seconds from one shot to the next, which is good for an EVF model but not competitive with dSLRs such as the Canon EOS 350D and the Nikon D50. Shutter delay using autofocus is 0.4 seconds with a bright target but increases to 1.2 seconds with a darker, lower-contrast target.

In continuous-drive mode when shooting standard JPEG images, we measured a blazing capture rate of 4.3fps -- but you're limited to 3 frames, and you can't use the continuous-drive mode with raw files, making the DSC-R1 less than ideal for wedding photographers.

The small built-in flash provided relatively even lighting in a completely dark room, and it gave indoor portraits an attractive, gentle glow.

Shooting performance in seconds
(Shorter bars indicate better performance)
Shutter lag (bright)
Shutter lag (dim)
Canon EOS 350D
0.2
0.2
Konica Minolta Dimage A2
0.4
0.6
Nikon D50
0.4
0.9
Sony Cyber Shot DSC-R1
0.4
1.2
Fujifilm FinePix S9000
0.5
0.9

Shooting performance in seconds
(Shorter bars indicate better performance)
Typical shot-to-shot time
Flash shot-to-shot time
Raw shot-to-shot time
Canon EOS 350D
0.3
N/A
0.4
Sony Cyber Shot DSC-R1
0.9
1.3
1.9
Nikon D50
1.0
1.2
1.2
Konica Minolta Dimage A2
1.0
2.5
1.0
Fujifilm FinePix S9000
1.7
5.3
18.4

High-resolution burst performance in frames per second
(Longer bars indicate better performance)
Sony Cyber Shot DSC-R1
4.2
Konica Minolta Dimage A2
2.3
Fujifilm FinePix S9000
2.1

NOTE: Products in this test are for comparative purposes only and are not necessarily available in the Australian market.

Image quality
The Sony Cyber-shot DSC-R1 produced generally excellent images, particularly at lower ISO ratings. Crisp details and nicely balanced colours abounded. Images with limited depth of field looked pleasantly smooth in unfocused areas, and the gradations between light and dark avoided unrealistically harsh contrasts. Except at the highest ISOs, we saw very few unnaturally coloured halos or jagged lines.

Our test images came out clean and noise-free at ISO 160, 200 and 400. A handful of colourful speckles showed up in dark areas at ISO 800, but even at ISO 1,600, the grain was relatively innocuous in evenly lit scenes. Images shot at ISO 3,200 were full of multicoloured splotches in darker areas -- par for the course for digital images at this high sensitivity.

 
The DSC-R1 has some of the best high-ISO performance we've seen in this price class. For instance, with most cameras this ISO 1600 shot would have so much noise your eyes would be unable to resolve the detail of this tabby's fur. But even at 100 per cent magnification the R1's shot stands up well to scrutiny.

Topics: sony, cmos, sigital, dsc-r1, shot, dslr, slr, camera, cyber, still

Comments (11)

  • Cameras gave 8/10 on 22/05/2008 19:51 Report abuse

    • Good: Stylish body.
      Great focus.
      Easy and fast features.
    • Bad: Nothing in cons.

    Great camera with excellent zoom results. Stylish body with great built in flash light. Great focus. Easy features with fast and reliable functions. I like it.

  • jacksung gave 9/10 on 26/12/2007 16:19 Report abuse

    • Good: Excellent image quality.
      Sturdy construction & button/knob feel. Live preview feature.
      Twin storage media, MS & CF.
    • Bad: A bit slow to focus in low light compared with higher end DSLRs.
      Sony should have include a proper wide shoulder strap, like what comes with Nikon/Canon DSLRs.

    Excellent image quality and features. The professional grade lens alone is worth the asking price!

  • denevans gave 9/10 on 06/07/2007 02:55 Report abuse

    • Good: Low noise, NO purple fringing, huge wide angle, no dust problems (like on DSLR's). Fantastic image quality - and that's the most important thing after all!
    • Bad: Takes a little while to get used to the gui but once learned it works well - almost single handedly! Big and heavy but you don't get something for nothing! A lot of light requires a large light bucket - that's physics. High resolution requires a wide bucket - viz telescopes. Slow shot to shot times.

    Beautiful camera, beautiful lens. The near perfect travel, hiking camera. Next version needs image stabilizer, faster and somewhat longer lens - do I ask for too much. I have had mine for a year now. No regrets over selling my Canon DSLR to pay for it. Dust in my DSLR drove me mad.

  • mgorter gave 8/10 on 29/03/2007 07:48 Report abuse

    • Good: Camera's autofocus is easily movable to desired spot, shoot while talking to your subjects in front of the lens or watch the group and shoot when there is an interaction, good for natural poses, this camera is not hiding the photographer. Use for interior-architectural work on a tripod too, this lens is perfect for all work if A3 is max size you need.
    • Bad: None if you know the limits of the camera, the R2 can have a f2 overall zoom with the same range, make it look more professional and all weddingphotographers need is there.

    Underrated camera by pro's: if you are used to shoot with your eyes on the subject (eye-contact for expression on the face) its much better then looking through a prismfinder where your own face is hidden. Ideal for portraits and weddings, please Sony, keep up this good work and provide us with the 21th century Rolleiflex !!!

  • anwarrana gave 9/10 on 09/10/2006 16:59 Report abuse

    • Good: Great body, excellent lens, gr8 image quality, flash is very good, full manual controls.
    • Bad: Lack of details in the manual to operate the camera properly.

    A Serious Deal

    Its overall a really good camera, but the price is way to high, Can easily buy a sony A100 DSLR in a 100$ more, However if u dont wana spend a lot on lenses and just do the regular photo shots, this is the camera to grab, the images are crisp and clear, it takes some time to get used to it, not very easy to get familiar with, but with time one can use it properly, I loved the manual zoom and controls. Night shots are pretty good, if u have to compare it with a dslr, then u will rate it 8 out of 10 where dslr remains at 10.
    Here u got a camera that has alot to offer, but in direct comparison with DSLR , dslr wins by a point or two, so if u dont like to carry heavy lenses and to be carefull in dusty conditions, u can choose this camera as an alternative to DSLR.

    Over all very good performer.

  • beejnut gave 7/10 on 04/09/2006 19:03 Report abuse

    • Good: This camera is simply beautiful to use. Great build, great lens, great handling, magnificent shots (if avoid sunny contrast - see later). Cannot speak too highly of all that aspect. Proud of owning it!
    • Bad: Just this one....
      Shockingly high contrast in sunny conditions involving mix of shade and light. The brights are washed out, the shadows become muddy and brown. Viewfinder view is perfect!! yet on PC, jpeg or converted raw both bad. (Raw improves a bit if you use "real" setting).

    Beautiful camera, sunlight shots way too contrasty

    I have learnt to hate shadows!
    I do an odd mix of photography - all in sunny conditions, with all sorts of film and digital cameras
    Photos of mid-century cameras, Bush scenes. Contrast make those uses "unuseable" compared with Nikon 5700, Canon Pro-1 etc.
    One attempt at contacting Sony with full details led to automated reply "read the manual".
    So I take only raw, and hope someone will come to the rescue with better converter!! That's how keen I am for it to work!!

  • Mick Gig gave 9/10 on 19/08/2006 14:24 Report abuse

    • Good: For a first time DSLR user, the interface is both informative and user friendly.
      Shots have incredible detail.
      In auto mode anyone can be a brilliant photographer.
      Manual modes encourage even better shots.
    • Bad: Only 3 continuous shots.
      A little slow to focus in dark conditions.

    Pictures are astounding!

  • maanson gave 1/10 on 01/12/2005 20:06 Report abuse

    Superb camera

    Bought this 3 days ago. It is beautiful, produces excellent pictures.

  • kski gave 1/10 on 23/11/2005 10:06 Report abuse

    Incredible DSLR Image Quality!

    Excellent camera! The image quality is the stuff of DSLRs. Sony has a real winner here! If you want extremely high quality photos from a fixed lens camera, this is the one!

  • Anonymous gave a review on 23/11/2005 07:19 Report abuse

    Reviews needs more sample images

    Brief review, but the proof is is .... How about some samples to back up what's said about image quality.

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